Categories
Photography Technology

Digital Rebel + Aperture + Flickr = Ridiculously Simple.

Seriously, it’s getting ridiculous how easy the process for photography is getting.

Back in February, my friend Lindsay and I did a photoshoot in the mall parking garage. She’s a photographer herself, but she’s also an aspiring model. This works out well because I consider myself a designer who is an aspiring photographer. So anyway she’s looking to build a modeling portfolio, and I’m looking to build a photo one of my own. I also recently acquired a copy of Apple’s Aperture professional photography software and was itching to try it out.

Overall while we had a great time, but when I looked at the shots, I was disappointed. We were limited by cold weather,  the lighting was awkward, and many of the poses left a lot to be desired. (due both to the weather and Lindsay and I’s comfort levels I’m sure). I ended up letting the photos sit for months after the initial shoot.

It was shortly after that time that I discovered my Flickr addiction. And the other day, I decided to take another crack at the photos because I wanted to put something up, just for the sake of it. (I paid for a Pro account, I should use it no?) When I dove in, I was blown away. I can’t say enough how impressed I am, both by the ease of use of the program and the results I achieved. Aperture made it easy to color correct and retouch a lot of what I viewed were unusable photos.

The more I think about it though, the more it’s unbelievable to me. Anyone who has even worked with real professional color photography can tell you how much of a pain in the ass the whole process can be. While it’s a lot of fun, you can spend weeks on single images at times. Not only that, but it’s expensive. Retouching can be a nightmare, and color correction can have you walking back and forth, turning nobs trying to get something just right. Don’t even get me started on the cost/hassle of promoting and sharing your work.

Nowadays, you can get a Digital SLR for under a grand that take images at resolutions higher than film grain and print to a high-end printer that outputs higher than film grain as well. Using a program like Aperture or Photoshop, you can have a whole ‘roll’ edited and corrected in a matter of minutes. From there, it’s easy to share share it on the web for everyone to see or subscribe to, so you know people are checking it out.

As a side note; I remember during my senior year at Pratt, I did some of my work digitally for my color photo class. I would print my work on my Epson 2200 and hang it next to my other work. The really amazing part is that my peers in class were unable to tell the difference. That to me sealed the deal, my 35mm camera sits and collects dust these days. Stuff like iPhoto and Flickr’s are the icing on the cake. I can hardly remember what life was like before digital.

Anyway, I present to you without further ado: Lindsay O’Connor.

Elevator
Lindsay
Lindsay

Out of fairness to my lovely modeling friend, I will not post the before and after comparisons. I’d like to assure you, though, that the quality was not nearly this nice until I took them into Aperture. That’s not a criticism on her, but on my skills as a photographer. Luckily, I’m still a designer.

Check out the rest of the shots here.

Categories
Pop Culture Technology

Impressed with Myself

So recently I’ve been listening to a lot of Streetlight Manifesto and the earlier projects of their singer Tomas Kalnoky.

Tomas was the original singer/writer for the cult favorite ska act, Catch 22, best known for their 1998 record ‘Keasbey Nights‘, which many will argue to be the band’s best (or only good) album. Well back before Catch 22, Tomas was in a punk band named Gimp.

After Gimp disbanded, Tomas reworked one of their songs, ‘Supernothing,’ from a slow acoustic track to the faster, more upbeat version that appears on Keasbey Nights. The original, perhaps because it is so different, has become a favorite among fans. Sadly the only copies of this album floating around the internet are of poor quality. Probably due to having been taken directly from tape copies that, it seems, were not high fidelity to start with.

Tonight I had a bit of free time and decided to throw Supernothing into Soundtrack Pro to teach myself the software and to see if I could do anything about the quality. I was surprised by the results. I managed to correct the volume problems and remove almost all the tape hiss with just a few clicks. I’m impressed with Soundtrack and how easy it was to do without noticeably distorting the audio. If someone like myself, who is virtually tone-deaf, could manage to do something with it in a matter of minutes, that says a lot.

The immediate difference is subtle but evident at loud volumes, through a car stereo or headphones. The removal of the hiss, and the boosted volume makes it vastly more listen-able than before in my opinion.

I’m debating doing more of this type of thing with some other projects, including ‘Rules of the Game’ Catch 22’s pre-Keasbey demo that is also only on tape, but I’d like some feedback on how people think this sounds first.

Anyway, I’ll let you be the judge of my work.

You can check out the original here:

And my cleaned-up version:
http://www.subism.com/audio/gimp/supernothing.mp3