"Love means never having to tell the authorities where I buried you"

I think Warren Ellis might be a genius. Seriously.

So I’m getting back into this whole blogging thing. And I totally forgot how much of a whore one needs to make themselves to get anywhere at it. The other day I was listening to 24 Cast and they mentioned that they had gotten themselves listed on PodcastAlley.com and it made me think of what I’ve been doing.. reminding me of Technorati, Bloglines and such. I haven’t spent any time signing up for those things with this site yet. I’ll eventually get around to it. If I want this to take off it seems that stuff is key.

I read a lot of sites daily, everything from web comics to tech blogs to politics. It’s not rare to find something interesting on any of these sites but it is rare to find something truely inspiring. Two weeks ago, I was inspired, Apple enthusiast / writer John Gruber of DaringFireball.net took a daring leap into the unknown to do something one can only dream about. He quit his job to make an attempt at bloging for a living. His justification? In short… You should love what you do for a living and do what you love for a living. I can’t express how much I admire that, regardless of if he suceeds or fails.

Maybe some day I’ll have time to be able to blog once a week regularly, after that I’ll start working on full time.

Impressed with myself

So recently I’ve been listening to a lot of Streetlight Manifesto and the earlier projects of their singer Tomas Kalnoky.

Tomas was the original singer / writer for the uber popular ska act, Catch 22, most notably on their ‘Keasbey Nights’ album which many will argue to be Catch’s best (or only good) album. Well back before Catch, in like 1995 Tomas was in a ‘punk’ band entitled: Gimp.

After Gimp disbanded one song by Tomas on their album, ‘Supernothing,’ was reworked from a slow ’emo’ esq acoustic song, to a faster more upbeat version that appears on Keasbey Nights. The original really has it’s own merits as a version for being so different and is actually a favorite among many of their fans. Sadly the only copies of this album out on the internet sound like shit as they’ve been taken from tape recordings that it seems were never really good quality to begin with.

Tonight I had a bit of free time and I was playing around with Soundtrack Pro for the first time and decided to throw Supernothing into the program to play with and to see if I could do anything about the quality. I was surprised with the results. I managed to correct the volume problems and remove almost all the tape hiss / noise that was crapping up the song. I’m impressed with Soundtrack and how easy it actually was to do without distorting the audio in the song, and that someone like myself who is virtually tone deaf could manage to do something with it in a matter of minutes.

Anyway I’ll let you be the judge of my work.

You can checkout the original here:

And my cleaned up version:

The immediate difference is subtle but really evident at loud volumes, through a car stereo or headphones. The original has a strong annoying hiss from the tape and is recorded at a lower volume. Using soundtrack I managed to clean up all the hiss / noise and boost the volume to that of a normal recording which in my opinion makes it vastly more listen-able than before. I’m debating doing more of this type of thing with some other projects, including ‘Rules of the Game’ Catch 22’s pre Keasbey demo that is also only on tape, but I’d like some feedback on how people think this sounds first.